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creative writing questions and answers

;Suspense


Have you ever read a magnificently written short story and said, “Wow, I wish I could write that way!”  You can, and it may not be as difficult a challenge as you think.  Creativity may be an inherited talent but creative writing can be learned.  You don’t need to be a creative genius to pen a good story.  You simply need to learn the construction of a story and then gather the motivation to write it down.  (And the courage not to throw away the paper or delete the file) 

Most experts suggest that you concentrate on writing short stories before you take on full novel-length works.  This is because short stories tend to be less complicated than novels.  Novels can encompass an entire lifetime of a character, or several lifetimes, as well as multiple points of views and numerous perspectives.  This can overwhelm a first-time author.  Thus, if you limit yourself to writing a short story you are focusing on writing one episode in a characters life.  There is no limit to what the term “episode” means—it may be a day in the life of one character or several weeks in which the same subject is discussed among numerous characters.  However, a short story will usually only focus on one incident and have a singular plot or setting. 

You can use more than one character, but the more characters you add the more information you will be cramming into this short episode.  If you have read any information on the structure of creative writing, then you may know by now that most professionally written stories consists of some basic dramatic elements: 

Exposition (introduction to the story where information about setting and situation is conveyed)

Complication (there must be some conflict that causes a strong reaction in the protagonist)

Rising Action & Crisis (suspense builds until the protagonist reaches a pivotal moment)

Climax (the highest point of action results)

Resolution (the conflict is resolved and the moral is made clear)

Now keep in mind that because you are working with a shorter piece you may have to abbreviate some standard patterns in your writing.  If you are writing a short piece then you may not have enough room to include paragraphs of exposition.  You may have to decrease the attention given to appearance, situation or setting. 

In fact, many short stories follow an entirely different structure than a novel.  The introductions are abrupt and use powerful words that capture attention quickly.  The story may not begin “at the beginning” but start in the middle of the action, so as to advance the plot at a faster pace.  However, the most important elements will still be present.  You must make sure that your story has conflict, and that complication builds up to a peak of suspense, which ends in a climactic confrontation.  Resolution then ends the story, giving the reader something to think about. 

If you feel that your story is lacking something, then reanalyze your structure.  What is happening to the protagonist internally or externally?  Who or what is the antagonist, the character or thing that affects the main character?  Think of a short story as a condensed novel, one that only has a few pages to make an all-important point.


- Curtis Foster

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Have you ever read a magnificently written short story and said, “Wow, I wish I could write that way!”  You can, and it may not be as difficult a challenge as you think.  Creativity may be an inherited talent but creative writing can be learned.  You don’t need to be a creative genius to pen a good story.  You simply need to learn the construction of a story and then gather the motivation to write it down.  (And the courage not to throw away the paper or delete the file) 

Most experts suggest that you concentrate on writing short stories before you take on full novel-length works.  This is because short stories tend to be less complicated than novels.  Novels can encompass an entire lifetime of a character, or several lifetimes, as well as multiple points of views and numerous perspectives.  This can overwhelm a first-time author.  Thus, if you limit yourself to writing a short story you are focusing on writing one episode in a characters life.  There is no limit to what the term “episode” means—it may be a day in the life of one character or several weeks in which the same subject is discussed among numerous characters.  However, a short story will usually only focus on one incident and have a singular plot or setting. 

You can use more than one character, but the more characters you add the more information you will be cramming into this short episode.  If you have read any information on the structure of creative writing, then you may know by now that most professionally written stories consists of some basic dramatic elements: 

Exposition (introduction to the story where information about setting and situation is conveyed)

Complication (there must be some conflict that causes a strong reaction in the protagonist)

Rising Action & Crisis (suspense builds until the protagonist reaches a pivotal moment)

Climax (the highest point of action results)

Resolution (the conflict is resolved and the moral is made clear)

Now keep in mind that because you are working with a shorter piece you may have to abbreviate some standard patterns in your writing.  If you are writing a short piece then you may not have enough room to include paragraphs of exposition.  You may have to decrease the attention given to appearance, situation or setting. 

In fact, many short stories follow an entirely different structure than a novel.  The introductions are abrupt and use powerful words that capture attention quickly.  The story may not begin “at the beginning” but start in the middle of the action, so as to advance the plot at a faster pace.  However, the most important elements will still be present.  You must make sure that your story has conflict, and that complication builds up to a peak of suspense, which ends in a climactic confrontation.  Resolution then ends the story, giving the reader something to think about. 

If you feel that your story is lacking something, then reanalyze your structure.  What is happening to the protagonist internally or externally?  Who or what is the antagonist, the character or thing that affects the main character?  Think of a short story as a condensed novel, one that only has a few pages to make an all-important point.


- Curtis Foster

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what is the best way to keep up suspense when writing your fist novel?


I have just recently began writing my first novel and was wondering if anyone knew a good way to keep the suspense going. Im writing a horror fantasy type novel.
- Aaron D

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Creative Writing Tips –

For a theme to work and the story, which will revolve around the theme, it has to contain three things…

1. Character

2. Conflict

3. Resolution

What’s the reason for this?

If your theme doesn’t contain these three essential elements, then you won’t be writing a proper short story. It might turn out to be an essay instead.

Because without…

1) Characters

You can’t achieve emotional depth. Readers become engrossed in stories because of the characters in them. They either become the character (sympathize), or read about an interesting person (empathize).

Emotional depth is achieved when readers use their imagination and senses and/or experiences to live the story through the characters.

2) Conflict

Your story will be boring. Why? Without conflict, something to stir things up, nothing happens. And a story, in which nothing happens, is one not worth writing about.

Your characters don’t lead carefree lives. Well, not in the instance you are writing about them. In that part of their lives they are faced with a problem. They want something and can’t get it because of the conflict, which is preventing them to do so.

And it’s that conflict and the struggle the characters has to undergo that keeps us readers interested and in suspense. Will the character succeed or won’t he? And when is this all going to happen? And how is it all going to happen?

3) Resolution

Something that starts has to finish, one way or another.

Once you have created great characters, which the reader will come to care about, and you have placed them in conflict, that conflict at the end of your story has to be resolved. The characters will achieve their goals or they won’t.

That doesn’t matter.

You can end your story as you please and as it suits your story – but you have to end it. Ending the story means resolving the conflict.

Does your theme contain character, conflict, resolution?

Eight Ways To Write Better Instantly

Is it possible to improve your writing instantly? The answer, happily, is “yes.”

While researching a book on famous speeches and essays, I found eight easily correctable mistakes writers often make. Here they are…and how to correct them instantly.

1. UNFOCUSED SUBJECT – Focus on a single theme only. Every sentence and paragraph should reinforce that topic.

2. TOO LONG – Abraham Lincoln crafted his Gettysburg Address in less than 300 words. Unless I’m specifically asked to do otherwise, I try to condense my work to one double-spaced single page (about 250 words).

3. WEAK PREMISE – Can you state the major focus of your message in 20 words or less?

4. NO ATTENTION-GRABBER – The first sentence or two must quickly attract the reader. Two ways to do this: (a) ask a question or (b) reveal a discovery.

5. UNLINKED PARAGRAPHS – Each paragraph should logically lead to the next. One way some writers do this: (a) quickly write several paragraphs on a subject; ((b) prioritize them; (c) present them in descending order from most important to least important; (d) conclude by restating the two or three most important points.

6. PASSIVE VERBS – Passive verbs like is, am, was, and were simply exist. Action verbs run, jump, excite, and motivate.

7. BORE FACTOR – Some research says the average adult attention span is only eight seconds. So it’s important to make your points convincingly, and end your paper powerfully.

8. WEAK ENDING – Exit your report like an experienced stage performer…leave your audience wanting more. Two ways to do this: (a) use a famous quote to reinforce your conclusion, or (b) give details showing the reader where to get more information on the subject. (Examples: your phone, fax, e-mail, etc.)


- simranjit

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How does an author use suspense using conflict when writing a short story?


???
- nolalolly

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