Writing short stories online can be a great way of expressing yourself. They are ***?n and enjoyable and more and more ***?ople are taking to story writing and discovering a new world of creativity and imagination. With the help of this article, interested story writers can ***?in a better ***?rspective into the art of writing short stories.

Before you start to write short stories online, identify the audience for your story. Is it aimed at ****?nagers, children, women, scholars, or intellectuals? This will help you decide the tone of the story and decide the language that you are going to use for the story. For children, the style of writing will be simpler and more animated; for intellectuals you have the freedom to use longer ***?ntences and heavier words and expressions.

Another thing that is important before you start writing online stories is to do the necessary research for the story. While all writers have creative license, there must be some ***?ctual foundation that the story is based on. Even if you are writing a ***?ntasy, it might be worthwhile to research different mythologies and ***?ntasies.  

When writing online stories most writers start by providing a lot of details right at the beginning. It’s better to grab your reader’s attention from the start. No point in beginning the excitement from chapter number four. Most readers may never reach that ***?r, if the beginning doesn’t grip them.

Build the action and suspense in the story and engage the interest of the reader ***?ll the ****?max. The conclusion or the ****?max of the story is the right place for you to ***?e all the loose ends together. The ***?rfect end is like the ribbon that is ***?ed around a gift with great flourish.

The essence of writing short stories online is to have a concrete beginning, middle and end (like we were taught in school!). Whatever style of writing you may choose, the basics will remain the same. If the story is not ****?anized well, the reader may end up baffled and confused.


- Mikal Jhonson

In ***?rrent ***?mes, merely within ten years the discourse has started in Urdu literature up on the philosophy of Postmodernism and Deconstructionism. Undoubtedly, almost all big critics in Urdu literature are involved in this discourse. At the same ***?me it has attracted a lot of creative writers to follow the theme.

Abrar Mujeeb, a fiction writer from the Industrial City of Jamshedpur [India], has written ****?h stories that represent the Philosophy of Deconstructionism. After 1980, the Urdu fiction has turned towards new colorful dimensions. Some new important names have happened to appear up on the ****?izon of Urdu short stories including NayyarMassod, SyedMohammadAshraf, SaajidRasheed, Ghzanfer, MusharrafAlamZaouqi, PaighamAafaqi, ShamuelAhmed, TariqChatari, SamimAfzaQamar, ***?rhatParveen, Qamar Jahan, ZakiyaMashhadi, KhursheedHayat, MahmoodShahid, AzraNaqvi, Shaheera Msroor, and GhiyasurRahman. Abrar Mujeeb is an important name in the equal list.

In his fictions we found the techniques of deconstructionism which has affected other story writers in Urdu to come closer to this. It is ought to understand that the communication techniques in deconstructionism are different than a narrative style of writing. It communicates through an alternative logic and subject next to the real text. Deconstructionism is not directly related to the subject matter of the story rather than it gives emphasis to the meaning of the text which undergoes in between the lines. So a deconstructionist critic or writer always stresses to communicate through the unwritten lines of his text which exist invisibly in his narration. The philosophy of deconstructionism can not be bounded with the text by any means, rather than it can be limited to the unlimited boundaries of the text beyond the text. The ideas presented beyond the text are suppose to be more genuine, authentic, and ***?ctual. So in order to review or form a creative writing the awareness of its ‘further than text expression’ pays vital role in the whole creative scenario.  

Abrar Mujeeb’s story ‘The scenario of night’ is a wonderful story. The habitual changes of day to day life, the look of life and death, the eternal journey of mankind and the universe, the conflict between evil and devil and the psycho-sociological changes of the human societies are ***?ed-up in a single knot. ***? if the human life and the nature were interdependent to each other to unveil themselves. It is a common concept that the occurrence of an incident depends up on the movement of the earth and this is the concept of the ***?rial ***?me which is defined ***? a subordinating cause of beingness. In this fiction Abrar Mujeeb has stated the idea that the occurrence of an incident not only depends up on the ***?me. The nature and the universe are eventful in ****?h incident to take place. In ‘The scenario of night’ he writes while describing the scene of an evening:

                   “… the redness of the evening is looking blackish ***?r in the ****?izon,                                        though it has not spread out like a spot on the blueness of the

                          sky ***? the spots of clotted blood, spreads up on the floor of a

                          slaughter house.”    

At a ***?cond put he writes: 

                             “…there is a bridge up on the chest of the river. At the moment

                             train has not passed over it and possibly all the scenario is

                             waiting for some important ***?me or moment and are vanished

                             in their own”.  

At the last when the story comes to end, the redness of the ****?izon turns into spreaded spots of frozen clotted blood and “at the same ***?me a train passes through the bridge and the whole picture disappears up on the *****?en of the thick fog, ***?rhaps these pictures were waiting for the same ***?me or moment”. Superficially it is just scenery, ****? virtually it is scenery which looks for some or more happenings or incidents to be added in it. And they all inevitably ***?ll together at one point to become the part of a big happening or a scene. In the eyes of the story writer every thing which is happening or going to be happen is the integral part of this universe. The ***?me and the place are inevitably put together along with the happenings to take place. Thus the conclusion comes from all occurrences that they all are predefined to occur. Though the tale of this story is of less worth ****? the whole treatment is excellent.       

Story “The fragrance of own soil” is written up on the philosophy of regional existentialism. In this story the basic identity of an individual and society has been brought to notice. An individual can not be the strength of a society if not he is ready to love and protect his identity. Consequently, the basic identity is ***? urgent for ****?cess in every ***?pects of life. The is the point where the individual and the society comes to strength. The strength and identity of a society depends upon the strength and identity of its individuals. The life then starts moving smoothly. Abrar Mujeeb also tries to strengthen and protect his soil.

Story “The rain” is simple in its expression ****? deep in its meaning. Story “Thrust” is a show of prohibited creativity. Story “The water way of backside” shows the everlasting continuation of ***?me. Besides this his stories “First task” “On the same turn” “Death” “The story of stories” are his best stories.

Summarizing all, we ***?e that the stories of Abrar Mujeeb are the stories of the communication of deconstructionism and prohibited creativity. More to the point, all these stories represents some or more thoughts and ideas of the philosophy of his age. Individuals, Society, characters, feelings, emotions, affairs and thoughts every thing being all together generates a deep taste of life in his stories. He creates a link between the post-modern ***?nsibility and universality. In the backdrop of his feelings and emotions and through his carefulness he teaches us to live with an extended thought of life. We feel that at the artistic level, through locating his own way Abrar Mujeeb passes through a ***?lf evaluating situation. These evaluations act like determiner and make his stories ****?cessful. Small things and small signs are of worth importance for him. The study of life through the mirror of deconstructionism has come closer to his art. He put his first creative step on the road to the life itself and the ***?cond to the universe.

Abrar Mujeeb is an active and ***?nsitive artist. His stories are decent, loving and alive. He is regarded ***? an important short story writer after 1980. Considering his style of writing and thinking he is regarded ***? a short story writer of high repute among the generation of writers in Urdu after 1980.

                                                            ************************************** 


- Dr.Equbal Wajid

Writing short stories online can be a great way of expressing yourself. They are ***?n and enjoyable and more and more ***?ople are taking to story writing and discovering a new world of creativity and imagination. With the help of this article, interested story writers can ***?in a better ***?rspective into the art of writing short stories.

Before you start to write short stories online, identify the audience for your story. Is it aimed at ****?nagers, children, women, scholars, or intellectuals? This will help you decide the tone of the story and decide the language that you are going to use for the story. For children, the style of writing will be simpler and more animated; for intellectuals you have the freedom to use longer ***?ntences and heavier words and expressions.

Another thing that is important before you start writing online stories is to do the necessary research for the story. While all writers have creative license, there must be some ***?ctual foundation that the story is based on. Even if you are writing a ***?ntasy, it might be worthwhile to research different mythologies and ***?ntasies.  

When writing online stories most writers start by providing a lot of details right at the beginning. It’s better to grab your reader’s attention from the start. No point in beginning the excitement from chapter number four. Most readers may never reach that ***?r, if the beginning doesn’t grip them.

Build the action and suspense in the story and engage the interest of the reader ***?ll the ****?max. The conclusion or the ****?max of the story is the right place for you to ***?e all the loose ends together. The ***?rfect end is like the ribbon that is ***?ed around a gift with great flourish.

The essence of writing short stories online is to have a concrete beginning, middle and end (like we were taught in school!). Whatever style of writing you may choose, the basics will remain the same. If the story is not ****?anized well, the reader may end up baffled and confused.


- Mikal Jhonson

Help! For my english course we have to come up with some myth. Simple ones like “Why are there clouds in the sky”, “How the Kangaroo got it’s pouch”, “Why is the grass green”, etc. etc.
But I’m having writers blockkkk! I need ideas!
please and thankz
- Viarockgirl

I need a block party story that is at least 2 paragraphs please help. Ive never been in one so i cant really think of anything to make up. 10 points for good story.
- Buster B