Literature reflects political, economic and artistic movements of the era in which writers compose their work. Discuss the effect of the Industrial Revolution on the poetry of William Blake and William Wordsworth.

Molly Baker: Playgroup With Sylvia Plath: Because Every Night, Something Has To Go In The Oven
Then it came to me — Sylvia Plath. She covered all the bases: smart, interesting, accomplished, a writer, she’d lived abroad. Here’s someone who could make even me feel like I a good mom.

Read more on The Huffington Post

In the pink: There’s more to ham than vacuum packs and wafer-thin slices
Bruce Weinstein and Mark Scarbrough specialise in making a single ingredient sing. Partners in life and in food writing, the pair are well known in the US for their wildly successful series of “Ultimate” cookbooks, beginning with The Ultimate Ice Cream Book, which has sold more than a quarter of a million copies since it was first published 10 years ago. The approach has its disadvantages …

Read more on Independent

Arifa Akbar: Hooray for miserable writers
Just as we are told that “bad news sells”, so publishers began chanting a similar mantra in the 1990s when misery memoirs – first-person accounts of woe, ranging from sexual abuse to physical privation (or both, ideally, with a side order of anguish thrown in) – became highly marketable fare.

Read more on Independent

Central City students raise money for charities by portraying famous people
CENTRAL CITY – Central City eighth-graders did good by doing well Thursday night.

Read more on Grand Island Independent

Why poetry and pop are not such strange bedfellows
What is it about Yeats that is so attractive to rock stars, and why does Auden have the crowd moshing at the Forum? Graeme Thomson meets the musicians turning poetry into pop One day in 2005, Mike Scott decamped to his music room armed only with a long-cherished dream and a copy of WB Yeats’s greatest hits, a brick-like anthology of the late poet’s collected works. For a fortnight, the leader of …

Read more on Guardian Unlimited

I have wondered this for a long time.

honestly, please answer and give your opinion of this, if it is poetry, whether or not you think it should be…

thanks in advance

“I saw the best minds of my generation destroyed by madness, starving hysterical naked.” Now that’s the way to start a poem.

Allen Ginsberg’s Howl was one of the mid-twentieth century’s most famous, controversial, and challenging poems. Some said it changed American culture forever, leading the way from the staid 1950s to the wild 1960s. Others said it wasn’t even poetry at all, that it was nothing more than an incoherent and often obscene rant. (It took a judge, ultimately, to disagree, ruling that the poem did have “redeeming social importance” and should not be censored.)

The semi-autobiographical work sounds a bit like what you’d imagine would result if T.S. Eliot’s Prufrock (from Love Song of J. Alfred Prufrock) had managed to overcome his crippling shyness through the copious use of recreational drugs. Howl is the raw, edgy cry of a man who sees the world mistaking brilliance for madness, punishing individuals cruelly just for being themselves. It’s a poem that’s often difficult and unpleasant, always challenging and invigorating.

And it certainly seems an odd choice for a Hollywood motion-picture; it’s difficult to imagine Ginseberg’s cry from the heart translating onto the big screen. Nevertheless, Howl: The Movie is coming soon to a theater near you, starring heartthrob James Franco as Ginsberg and also featuring prominent actors Alan Alda, Mary-Louise Parker, and Paul Rudd. It will be interesting to see whether they’re able to pull it off while keeping any of Ginsberg’s original rebel spirit intact.

Black Ice

The journey usually starts with a friend or family members telling you maybe you should get your work of poetry publish because it is so good. You probably said, “I don’t think my work of poetry is good enough for others to read. I only write to share with friends.” Well, maybe it was not quite like that, but usually we always start by sharing our work with friends and families. As time passed, you probably continued sharing your poetry and you continue to hear the praise coming from their lips about how good your poetry is. You convinced yourself maybe it would not be a bad idea to at least try to see if anyone would give you an opportunity and publish your work.

This is probably where your journey into the dark side of publishing started. Everyone in the publishing industry turns your work down. The letters are saying things such as: “that it’s not what we are looking for right now.” Your self-esteem stumble and all your friends and family who always praise you continued with their encouragements, but you know your chances are close to zero on getting a major publishing house to publish you. Then you start to hear about self-publishing and went to Google to locate a self-publishing company to help bring your dream to realty. The sales representative tells you how you can create your own book and own the rights to your work and the royalty will better than industry average. The only thing is, you would have to share in the cost of the publishing.

You agree and $1,200 later you have your book. You went to all your friends and most him purchase a copy, though it was way over price, but they did it to support you. After you sold your friends a few of your poetry books, you sat around waiting for the self-publisher’s website to help you generate sales, until they told you have to pay more money if you want a promotional campaign for your book. Now you realized you did not even break even from the first $1,200 you spent; now they want you to pay more money. If you are smart you would stop. Today, I want you to know you are not alone.

My name is Gamelz and here at www.ipublishabook.com you will get a chance to read all of my books for fre. I always wanted to write and publish books just like you, but never realize the challenge I would face trying to get a publisher to look at my manuscript. I went the route you always hear a writer should not go, and that was to self-publish. I write short-stories and poetry. I realized this genre has very little appeal to book publishers because they are not able to generate a profit from that type of publishing. Once my book came from the printing company, I realized very quickly I was not going to generate huge sales and that I needed to share it with others. So, I decided to create this website www, ipublishabook.com and offer the book for free to those who want to read it.

I did not write to make money. I wrote it because I enjoy writing and wanted to share it with others. This site www.ipublishabook.com will include my entire writing portfolio, again, for free. As an aspiring writer, I am always looking to be part of a new and exciting project. Please take a look around to see my site www.ipublishabook.com and read my work and my distinctive style of writing and let me know what you think about www.ipublishabook.com I would appreciate it very much. I would conclude by saying for you not to give up on your dream to publish poetry or any other style of writing; it is a wonderful feeling to share your publish work.

Product Description

Never before has there been a single-volume anthology of modern Irish poetry so significant and groundbreaking as An Anthology of Modern Irish Poetry. Collected here is a comprehensive representation of Irish poetic achievement in the twentieth and twenty-first centuries, from poets such as Austin Clarke and Samuel Beckett who were writing while Yeats and Joyce were still living; to those who came of age in the turbulent ’60s as sectarian violence escalated, including Seamus Heaney and Michael Longley; to a new generation of Irish writers, represented by such diverse, interesting voices as David Wheatley (born 1970) and Sinéad Morrissey (born 1972).

Scholar and editor Wes Davis has chosen work by more than fifty leading modern and contemporary Irish poets. Each poet is represented by a generous number of poems (there are nearly 800 poems in the anthology). The editor’s selection includes work by world-renowned poets, including a couple of Nobel Prize winners, as well as work by poets whose careers may be less well known to the general public; by poets writing in English; and by several working in the Irish language (Gaelic selections appear in translation). Accompanying the selections are a general introduction that provides a historical overview, informative short essays on each poet, and helpful notes—all prepared by the editor.

I’m feeling you Jill