In ***?rrent ***?mes, merely within ten years the discourse has started in Urdu literature up on the philosophy of Postmodernism and Deconstructionism. Undoubtedly, almost all big critics in Urdu literature are involved in this discourse. At the same ***?me it has attracted a lot of creative writers to follow the theme.

Abrar Mujeeb, a fiction writer from the Industrial City of Jamshedpur [India], has written ****?h stories that represent the Philosophy of Deconstructionism. After 1980, the Urdu fiction has turned towards new colorful dimensions. Some new important names have happened to appear up on the ****?izon of Urdu short stories including NayyarMassod, SyedMohammadAshraf, SaajidRasheed, Ghzanfer, MusharrafAlamZaouqi, PaighamAafaqi, ShamuelAhmed, TariqChatari, SamimAfzaQamar, ***?rhatParveen, Qamar Jahan, ZakiyaMashhadi, KhursheedHayat, MahmoodShahid, AzraNaqvi, Shaheera Msroor, and GhiyasurRahman. Abrar Mujeeb is an important name in the equal list.

In his fictions we found the techniques of deconstructionism which has affected other story writers in Urdu to come closer to this. It is ought to understand that the communication techniques in deconstructionism are different than a narrative style of writing. It communicates through an alternative logic and subject next to the real text. Deconstructionism is not directly related to the subject matter of the story rather than it gives emphasis to the meaning of the text which undergoes in between the lines. So a deconstructionist critic or writer always stresses to communicate through the unwritten lines of his text which exist invisibly in his narration. The philosophy of deconstructionism can not be bounded with the text by any means, rather than it can be limited to the unlimited boundaries of the text beyond the text. The ideas presented beyond the text are suppose to be more genuine, authentic, and ***?ctual. So in order to review or form a creative writing the awareness of its ‘further than text expression’ pays vital role in the whole creative scenario.  

Abrar Mujeeb’s story ‘The scenario of night’ is a wonderful story. The habitual changes of day to day life, the look of life and death, the eternal journey of mankind and the universe, the conflict between evil and devil and the psycho-sociological changes of the human societies are ***?ed-up in a single knot. ***? if the human life and the nature were interdependent to each other to unveil themselves. It is a common concept that the occurrence of an incident depends up on the movement of the earth and this is the concept of the ***?rial ***?me which is defined ***? a subordinating cause of beingness. In this fiction Abrar Mujeeb has stated the idea that the occurrence of an incident not only depends up on the ***?me. The nature and the universe are eventful in ****?h incident to take place. In ‘The scenario of night’ he writes while describing the scene of an evening:

                   “… the redness of the evening is looking blackish ***?r in the ****?izon,                                        though it has not spread out like a spot on the blueness of the

                          sky ***? the spots of clotted blood, spreads up on the floor of a

                          slaughter house.”    

At a ***?cond put he writes: 

                             “…there is a bridge up on the chest of the river. At the moment

                             train has not passed over it and possibly all the scenario is

                             waiting for some important ***?me or moment and are vanished

                             in their own”.  

At the last when the story comes to end, the redness of the ****?izon turns into spreaded spots of frozen clotted blood and “at the same ***?me a train passes through the bridge and the whole picture disappears up on the *****?en of the thick fog, ***?rhaps these pictures were waiting for the same ***?me or moment”. Superficially it is just scenery, ****? virtually it is scenery which looks for some or more happenings or incidents to be added in it. And they all inevitably ***?ll together at one point to become the part of a big happening or a scene. In the eyes of the story writer every thing which is happening or going to be happen is the integral part of this universe. The ***?me and the place are inevitably put together along with the happenings to take place. Thus the conclusion comes from all occurrences that they all are predefined to occur. Though the tale of this story is of less worth ****? the whole treatment is excellent.       

Story “The fragrance of own soil” is written up on the philosophy of regional existentialism. In this story the basic identity of an individual and society has been brought to notice. An individual can not be the strength of a society if not he is ready to love and protect his identity. Consequently, the basic identity is ***? urgent for ****?cess in every ***?pects of life. The is the point where the individual and the society comes to strength. The strength and identity of a society depends upon the strength and identity of its individuals. The life then starts moving smoothly. Abrar Mujeeb also tries to strengthen and protect his soil.

Story “The rain” is simple in its expression ****? deep in its meaning. Story “Thrust” is a show of prohibited creativity. Story “The water way of backside” shows the everlasting continuation of ***?me. Besides this his stories “First task” “On the same turn” “Death” “The story of stories” are his best stories.

Summarizing all, we ***?e that the stories of Abrar Mujeeb are the stories of the communication of deconstructionism and prohibited creativity. More to the point, all these stories represents some or more thoughts and ideas of the philosophy of his age. Individuals, Society, characters, feelings, emotions, affairs and thoughts every thing being all together generates a deep taste of life in his stories. He creates a link between the post-modern ***?nsibility and universality. In the backdrop of his feelings and emotions and through his carefulness he teaches us to live with an extended thought of life. We feel that at the artistic level, through locating his own way Abrar Mujeeb passes through a ***?lf evaluating situation. These evaluations act like determiner and make his stories ****?cessful. Small things and small signs are of worth importance for him. The study of life through the mirror of deconstructionism has come closer to his art. He put his first creative step on the road to the life itself and the ***?cond to the universe.

Abrar Mujeeb is an active and ***?nsitive artist. His stories are decent, loving and alive. He is regarded ***? an important short story writer after 1980. Considering his style of writing and thinking he is regarded ***? a short story writer of high repute among the generation of writers in Urdu after 1980.

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- Dr.Equbal Wajid

Not every person given a written assignment will complete it with no problems. Talent in writing is not rare but also not that frequent. For someone it is easier to express thoughts in oral form than to put it in writing. Some of pedagogic teachers tried to apply several methods and one of the best is Neuro-linguistic programming established by Robert Dilts that includes several methodologies that can be used. These methods help to organize thoughts into a coherent system of facts or statements on which the outline can be developed. This method requires a lot of practice, but extremely easy to use. It was developed when observing the working process of professional writers and some of their secrets are revealed in the methods proposed.

The main tasks of the method are the following: Focus on your senses and determine the one giving best perception to continue working and developing it along with tailoring the others; Use the language as an instrument of expression and find the adequate words for gestures we sometimes apply instead of words; Stay on task and concentrate on the main points that are introduced by this method. Composition starts from the title. If you haven’t yet acquired a one, try to think of a headline that is going to be synonymous to the thesis statement. If you were given a definite task, try to think it over carefully. It may be a good advice to create a plan and even a chronological or functional sketch of what are you going to write about. Be careful choosing the style of your composition. It may be a narration, a description or a simple recollection of the heard and written. Make sure that the style you choose corresponds to general requirements given to you by your tutor. After this small investigation you may start thinking about applying some of the mentioned below methods.

If this is your first try to accomplish a good grade for your written assignment and you have definite problems with making bridges between ideas use the following method. Choose a connection word you use frequently and put it at the end of each sentence in your mind to have the idea of the previous sentence in front of you. 2. Interchangeability is a good feature the English language has. Why not to use it? Interchange some of the connection words in your text to make it brighter. 3. Alteration can also be applied to any text you need to edit. There are a lot of synonymous expressions that can be used in the assignment to make it look literate and informative. 4. You can mix all these methods to establish one that suits you best and master your skills with every written assignment. Neuro-Linguistic Method is a optimal solution in writing skill improvement procedure and maybe if united with other linguistic methods it may become a powerful tool that will make a genius out of you.
- Daniel Hunt